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Kelley Van Dyck Murphy



Kelley Van Dyck Murphy is an assistant professor of architecture in the Sam Fox School of Design & Visual Arts at Washington University in St. Louis. In the College of Architecture, she teaches design studios and seminar courses in digital fabrication and representation. She is the co-director of Van Dyck Murphy Studio, a multidisciplinary architecture and design collaborative based in St. Louis, Missouri. The practice engages in built and speculative projects at the scales of objects, installations, and environments, focusing on work that explores materiality, craft, and experiential narratives. Recently, Van Dyck Murphy studio was among the winning designers for the Alleyway Project, an international public art competition that will result in the re-envisioning of an alleyway in downtown Ann Arbor, Michigan. They are also in the process of designing and fabricating a ceramic 3D-printed masonry screen wall in downtown St. Louis. Recent work has been exhibited at the Des Lee Gallery, the Sheldon, and the Farrell Learning Center.

In 2019 and 2020, Kelley was awarded grants from Washington University and the Regional Arts Commission of St. Louis for research that explores the role of emerging design and fabrication technologies in traditional and new materials. Recently, Kelley collaborated with the Kemper Art Museum for the member program “Textural Translations: Exploring the Print Collection through Ceramic 3D Printing,” where she drew from the permanent print collection to produce a set of ceramic 3D-printed objects. In addition, she is a co-principal investigator in the Mellon Foundation-funded interdisciplinary research project Beauty in Enormous Bleakness: The Design History of the Interned Generation of Japanese American Designers. The research project explores architecture’s relationship to issues of immigration, exclusion, and cultural identity in the 20th century through the documentation and preservation of the histories and experiences of the interned generation of Japanese Americans.

Kelley earned her Bachelor of Arts degree from Rhodes College and her Master of Architecture degree from Washington University in St. Louis. She has practiced architecture in St. Louis and Atlanta, where she worked on projects ranging from urban planning to exhibitions.

Personal website

Work by Kelley Van Dyck Murphy

Digital rendering of two people walking in front of a 3D printed masonry screen wall, with a honeycomb like pattern with openings.

Sine Screen

Winning entry for the Insite 2020 public art competition held by the Downtown Public Partnership and the Regional Arts Commission. To be completed in 2022 by Van Dyck Murphy Studio.
3D printed model of a segment of a masonry screen wall with a patterned, textured surface of curves.

Sine Screen

Winning entry for the Insite 2020 public art competition held by the Downtown Public Partnership and the Regional Arts Commission. To be completed in 2022 by Van Dyck Murphy Studio.
Digitally designed white totem comprised of eighteen aggregated cylinders, based on the same sine curve radiated around a circle.

Strata, 2019

Digitally designed and produced totem comprised of eighteen aggregated cylinders. Installed at the Des Lee Gallery.
3D-printed white ceramic piece that square in overall shape, with lots of grooved, rounded surfaces protruding.

Textural Translations: Exploring the Print Collection through Ceramic 3D Printing, 2021

Member program with the Kemper Art Museum.
Two perspectives of the same facade along the street showing perforations and an entry

Veil House, 2018

St. Louis, Missouri (unbuilt).
Two renderings of a installation in use

Looped, 2019

Jardin Des Metis, Quebec, Canada, International Garden Festival Finalist.
An exterior image of entry and interior image of stair of a built house

Double L House (with UIC), 2016

St. Louis, Missouri.
Installation (above is photograph of piece) and (below is rendering of installation in gallery space)

36.9°, -89.6°, 2019

Sheldon Art Gallery.
Images of a sculptural piece: perspective (top) elevation and plan (second row) and sections (third row)

On the Wane…, 2014

St. Louis, Missouri.