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Carmon Colangelo



Carmon Colangelo joined Washington University in July 2006 as the first dean of the Sam Fox School. In this role, he oversees the School’s academic units—the College of Art, Graduate School of Art, College of Architecture, and Graduate School of Architecture & Urban Design—as well as the Mildred Lane Kemper Art Museum, home to one of the nation’s finest university collections of modern art. Colangelo was installed as the Ralph J. Nagel Dean in November 2016. He also serves as a member of the University Council and as the E. Desmond Lee Professor for Collaboration in the Arts.

A widely exhibited artist, Colangelo combines digital and traditional processes to create large, colorful, mixed-media prints that explore various ideas about the human experience and contemporary condition, from violent weather patterns and climate, to the anxieties and instability experienced around the world. His work has been featured in more than 40 solo shows and 150 group exhibitions across the United States and in Argentina, Canada, England, Italy, Mexico, Puerto Rico, and South Korea. His work has been collected by many of the nation’s leading museums, including the National Museum of American Art (Washington, DC), the Whitney Museum of American Art (New York), the Fogg Art Museum at Harvard University, and the Saint Louis Art Museum. He is represented by Bruno David Gallery in St. Louis, Jonathan Ferrara Gallery in New Orleans, and Flying Horse Editions in Orlando.

From 1984 to 1996, Colangelo headed the Printmaking Department at West Virginia University and was named chair of the Division of Art in 1993. In 1997, he became director of the Lamar Dodd School of Art at the University of Georgia (Athens). Born in Toronto, Colangelo earned a BFA in Printmaking and Painting from the University of Windsor in Ontario in 1981 and an MFA in Printmaking from Louisiana State University in 1983.


Work by Carmon Colangelo

Print with white, yellow, and orange cut paper shapes with painted details on a brown and grey ground with a linework underdrawing.

À la poupée Painter, 2021

Monotype with Intaglio, À la poupée and relief, 48 x34"
Print with a raised white impression in an abstract shape with regular linear indentations on an orange, pale blue, and coral ground. Small primary colored shape drawings dot the page.

Colorful World 1

Watercolour Monotype with Relief on Hahnemuhle Copperplate, 31 x 22.25"
Print with a raised white impression in an abstract shape with regular linear indentations on a peach ground. Small primary colored abstract drawings dot the page.

Colorful World 2

Watercolour Monotype with Relief on Hahnemuhle Copperplate, 31 x 22.25"
Abstract print of grey and pale purple shapes and smears, much like liquid metal, over top of a colorful, geometric underprint.

Hidden Figures

Archival ink on archival canvas, 61 x 44.5"
Hot yellow and orange abstract cutout shape on top of a grey ground with a hot orange center with a linework underdrawing.

Hotpressed, 2021

Monotype with Intaglio, À la poupée and relief, 48 x 34"
Abstract print of colorful streaked shapes, like layers of swirled paint, in mainly pale purple and pink hues with bold red, yellow, black, and teal accents.

Occam's Razor

Archival ink on archival canvas, 61 x 44.5"
Watercolor print of piled up color shapes in muted oranges, blues, greens, and yellows with black linear shapes over top, extending from the bottom left corner to the upper right.

Pile Up, 2021

Monotype with Relief Print, 48 x 34"
Watercolor print of a pile of shapes in muted greys, browns, and pinks centered on the page, with scratchy black ink shapes overlaid.

Print It Black, 2021

Monotype with Relief Print, 30 x 22"
Watercolor print of abstract grey, orange, and blue shapes concentrated towards the edges of the canvas, with hard-edged black rectangular ink prints over top.

This or That, 2021

Monotype with Relief Print, 48 x 34"
Print with layers of muted watercolor shapes, bright cut papers shapes in orange and teal, and black linework overprinted.

Yin and Yang, 2021

Monotype with Relief Print, 48 x 34"