Diana Guerrero Maciá’s The Beautiful Girls No. 4. About the artwork
Founded in 1978, Island Press is a research based printmaking workshop at Washington University in St. Louis that is committed to creating and publishing innovative prints and multiples, educating students and the broader community about print media, and advancing the printmaking field. Learn More
Recent projects
Underdog (one), Relief, 82.5" x 58.5", 2013.
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Mountain Machinery, Etching, relief, chine colle, and collage on sunray satin, 52" x 40", 2015.
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more about the project.
Everything All At Once, Collagraph, relief, collage on sunray satin, 60" x 60", 2009.
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Tracing Luminaries, A portfolio of six gilded intaglio prints with chine collé. These prints were editioned from laser engraved cast acrylic plates, inked with transparent base, and then printed onto a starlight-exposed cyanotyped Okuwara collé on Hahnemühle Copperplate. The image was then revealed with 24 karat gold leaf., 17 1/4 x 15, 2022.
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more about the project.
Inverted Cave, The New York Times (Accession No.1974.264, from the collection of the Center for the Study of the Study of the Tasaday), Hand-rubbed photocopy transfer on white Hannemuhle Copperplate paper, 45 3/4 x 61 1/2 inches , 2022.
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b and e, Collagraph and relief, 36 x 30, 2021.
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Crafting a Consequential Narrative, Collagraph, relief, screenprint, acrylic, and chine collé (on okawara) on Rives BFK white, 34 1/2" x 30", 2020.
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more about the project.
Street Dog , Monotype on archival pigment print, 30" x 22", 2019.
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Untitled (12 Grid), Etching (sugarlift, aquatint, and softground) with chine collé, 32 ¾ x 26 ½ inches, 2019.
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more about the project.
The Beautiful Girls No. 4, Relief, monotype, blind embossment, and archival inkjet collage on rives bfk off white, 17" x 14", 2018.
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more about the project.
