Diana Guerrero Maciá’s The Beautiful Girls No. 4. About the artwork
Founded in 1978, Island Press is a research based printmaking workshop at Washington University in St. Louis that is committed to creating and publishing innovative prints and multiples, educating students and the broader community about print media, and advancing the printmaking field. Learn More
Recent projects
Mountain Machinery, Etching, relief, chine colle, and collage on sunray satin, 52" x 40", 2015.
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Everything All At Once, Collagraph, relief, collage on sunray satin, 60" x 60", 2009.
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more about the project.
Underdog (one), Relief, 82.5" x 58.5", 2013.
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Spaces of Subjection: Print (Part 1), various dimensions ranging in size from 16 ¾" x 16 ¾" to 28" x 36.5", 2023.
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more about the project.
Inverted Cave, The New York Times (Accession No.1974.264, from the collection of the Center for the Study of the Study of the Tasaday), Hand-rubbed photocopy transfer on white Hannemuhle Copperplate paper, 45 3/4 x 61 1/2 inches , 2022.
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Tracing Luminaries, A portfolio of six gilded intaglio prints with chine collé. These prints were editioned from laser engraved cast acrylic plates, inked with transparent base, and then printed onto a starlight-exposed cyanotyped Okuwara collé on Hahnemühle Copperplate. The image was then revealed with 24 karat gold leaf., 17 1/4 x 15, 2022.
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b and e, Collagraph and relief, 36 x 30, 2021.
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Beware the Lap of Luxury, Etching – hardground, softground, drypoint, and aquatint from steel plate on Hannemuhle Copperplate Bright White, 45 1/2 x 39 3/4 inches, 2020.
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Crafting a Consequential Narrative, Collagraph, relief, screenprint, acrylic, and chine collé (on okawara) on Rives BFK white, 34 1/2" x 30", 2020.
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Street Dog , Monotype on archival pigment print, 30" x 22", 2019.
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